Esa Kataja bc19eae111 Add the editor: page view, cut editing, discard, levels, metadata
QGraphicsView for the viewport, with cuts and the content rectangle
manipulated by hit-testing in the view rather than as movable items —
the geometry is normalised, so what the screen shows and what the
renderer uses are the same numbers at a different zoom.

Cuts are edited as polylines: double-click adds one, drag moves it,
Ctrl-click inserts a vertex, right-click deletes a vertex or the whole
cut. That is how a straight cut becomes the stepped cut Engel needs.

Slice boundaries are drawn, not just cut lines, so a trim anomaly is
visible before export rather than after. Discarded slices are shaded.

Pages preview at 1800px regardless of source resolution, cached per
page, because re-reading a 4959x7017 vector render on every slider move
is unusable.

Autosave is debounced at 800ms and also fires on close.

Closes #12
Closes #14
Closes #15
Closes #16
Closes #17
Closes #18
Closes #19
Closes #20
Closes #26
2026-07-28 23:03:49 +03:00

noteman-slicer

Turns a score PDF into the ordered slice images noteman consumes, plus the navigation markers that sit on them.

A slice is one system — one full line of music across all voices, typically 412 bars with lyrics intact. noteman displays them as a continuous vertical scroll, so the slicer's job is to cut a printed page into systems, clean them up enough to read on a tablet, and tag them with the score's navigation symbols.

Status: design only. No code yet. The design is settled; see below.

How it works

Open a PDF, and the tool proposes cuts between systems, a skew correction, and a content rectangle. You correct all of it — source quality varies too much for unattended processing, so detection is an accelerator that nothing depends on being right. You mark the header and footer regions discarded, set black and white points until the paper disappears and the notes go solid, place the rehearsal letters and jump markers, fill in the title block, and export.

Out comes one zip: the slices in order, their markers, the original PDF, and the song metadata. That bundle is the only channel to noteman — there's no API between the two tools.

Erasing previous-owner pencil marks, chord letters and breath marks stays in GIMP. That's the irreducible manual part, and GIMP with a stylus is already good at it.

Installation

Not yet installable. When it is:

uv tool install --editable .

That puts a noteman-slicer command on PATH which runs from any directory — no venv to activate. Dependencies (PyMuPDF, PySide6, OpenCV, numpy) are all wheels; nothing needs a system package.

Documentation

CONTEXT.md Glossary. What a slice, cut, discard, bundle and song scale actually mean here. Start here.
docs/spec.md The specification: pipeline, geometry model, detection, editor, bundle format, and what noteman has to change.

Deferred work is tracked as issues and milestones on the Gitea repo, not in this tree.

Decisions that were expensive to reach, each with the evidence behind it:

ADR 0001 The slicer owns all image processing; the bundle is the only channel to noteman.
ADR 0002 Raster only in release 1 — measured SVG slice sizes and what they showed.
ADR 0003 Lossless WebP beats every lossy option and every alternative format here.
ADR 0004 No unattended mode: detection suggests, a human confirms.
ADR 0005 PyMuPDF for all PDF access, accepting AGPL.
ADR 0006 Systems are found by vertical brackets; row-darkness gaps get it wrong.
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