Markers are stored per (page, slot), parallel to the discard flags, so
adding or removing a cut keeps them aligned with their slices. On a
split they stay with the upper half: a marker sits on a printed symbol
and nothing can say which side that symbol landed on, so predictable
beats clever.
Jump targets are chosen by clicking the slice rather than from the
thumbnail strip the plan called for. Less code, and it reads the score
instead of a list of thumbnails - which is what you want when hunting
for the Coda sign. Any page; PageUp/PageDown while picking.
Export resolves (page, slot) to the bundle's array index, the only
cross-reference the format has. A jump whose target was discarded or
re-cut away is dropped rather than exported dangling, since noteman
would have nothing to resolve it to.
tests/test_markers.py covers the enum size - that is the coupling
between two repos - along with cut-edit alignment, index resolution,
the dangling-target drop, and round-trips through both the project file
and a real bundle.
Closes#28Closes#29Closes#30
Opening an exported song starts a fresh session from detection instead
of resuming: cuts, discards and metadata do not carry over, so a re-cut
never inherits decisions that have already shipped. --resume overrides
it on edit, export and project.
This reverses what was agreed in planning and written into docs/spec.md
and CONTEXT.md, which promised resume-across-sessions and re-export.
Both are corrected. The cost is deliberate and worth stating: changing
the width cap or adding the SVG renderer later now means re-cutting each
song by hand rather than regenerating every bundle from its project
file.
Export records the flag in bundle.write, so no caller can forget it.
Also removed --refit and the Auto-fit buttons, which were added without
being asked for and whose only purpose - migrating projects made before
the content rectangle was proposed - disappears once exported projects
start fresh. Reset now restores detection's proposal rather than the
whole page: clearing to full width would undo the thing the rectangle
exists for, so one button covers it.
open_project() replaces four copies of load-or-detect across the CLI
and the editor.
Project state plus PDF in, finished slice images out. Slices are cut as
polygons rather than row ranges, so a stepped cut yields a slice with a
transparent notch instead of one that covers its neighbour.
Masking paints white, which the ink-to-alpha step turns into full
transparency — the same outcome the spec asks for, one step earlier.
Scale normalises every slice to the median staff height before fitting
the song to 1920px, so a rescanned page sits at the same note size as
its neighbours. The cap only ever shrinks: a song narrower than 1920
stays narrower.
Alpha quantisation rounds to 16 values spanning 0-255 inclusive.
Flooring, as first written, capped full ink at 240 and left every note
6% transparent — caught by decoding an exported slice rather than by
reading the code.
Ketun joululaulu exports 24 slices at a uniform 1489px, under the cap
and correctly not upscaled from its 200 DPI source; Feliz Navidad 20;
Elaman nalka 18.
Closes#21Closes#22Closes#23Closes#24Closes#25Closes#27
Esa Kataja