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Author SHA1 Message Date
Esa Kataja 6ce4fc8f99 Merge dev: engrave window bar numbers and LilyPond fixes 2026-07-29 13:46:41 +03:00
Esa Kataja 8f670cf7db Engrave window: bar numbers, and two silent LilyPond faults
A system can now be given the measure it starts at, in a First bar field
beside key and time. Per slice, since it is the one thing about a
replacement that cannot be inherited from the song. Bar numbering is a
Score property, so it is set once on the first staff, and made visible
only at a line beginning — that vector is fussy: #(#f #t #t) also prints
a number mid-system and #(#f #t #f) prints the second bar's rather than
the first's. It travels in the bundle's engraving object as `bar`.

Two things LilyPond 2.24 was quietly refusing to draw:

`\bar ":|"` and the other old repeat names produce nothing at all — no
error, no warning, exit status 0, just a missing repeat that you find on
the tablet. Every book and forum answer still uses them, so translate
them to the modern spellings.

`\clef treble_8` unquoted is not an octavated clef either. It parses as a
plain treble plus a stray "8" markup that lands under the first note, and
the staff then reads an octave off — a tenor line engraved at soprano
pitch. Quote it.

The source pane, which is where either of those would have been visible,
is now a collapsed section at the bottom rather than a permanent slab. It
uses the panel's own disclosure helper, lifted out of Editor so both can
call it.
2026-07-29 13:44:42 +03:00
Esa Kataja 29d9129bb7 Merge dev: rotated scans, detection and levels fixes, editor tweaks 2026-07-29 13:09:33 +03:00
Esa Kataja 24b12214bb Fit the page on startup, name the bundle, show the selection
Three things a first session trips over.

The editor opened at an arbitrary zoom. show_page does fit the page, but
it runs before the window has been laid out, when the viewport is still
its default size; redo it once when the real size arrives.

The bundle was named after the PDF, which is whatever the download was
called. Take the song's title instead — unsafe characters dropped, then
whitespace collapsed to dashes. Accented letters stay, since ä and ö are
not a filesystem's problem, but a leading dot would hide the file.

And the selected slice was drawn as an outline whose top and bottom edges
run under the cut lines painted over them, leaving two thin verticals in
the margins and no way to tell what was selected. Wash the slice, as the
discard and engraved states already do, and keep the outline for the trim
anomalies it exists to show.
2026-07-29 13:09:27 +03:00
Esa Kataja 19f28f4da8 Propose black and white points from the scan
Levels shipped at 0–255 unless someone moved the sliders, and Bicycle
Race showed what that costs. Its ink is grey, not black — a scanned
engraving, ink at 2–95, paper at 163–255 — and with alpha = 255 − luminance
that greyness becomes transparency. No pixel in the exported bundle was
even fully opaque, and the downscale to the song's width blended every
stroke edge further. Nothing downstream can rescue it.

So detection proposes levels too, like it proposes cuts and skew.
Notation is two-tone, which makes Otsu's split the measurement wanted;
the points sit halfway from it to each end of the range, so the ramp
between them survives as antialiasing rather than going jagged. A page
already scanned bilevel has no interior split — Otsu degenerates to 0 —
and is left alone. Per page, with the median becoming the song's, so a
near-blank page cannot set them.
2026-07-29 12:50:37 +03:00
Esa Kataja 38cb6ce09a Stop an edge artefact and a speck filter from destroying a song
Olukainen juomukainen came out unusable, from two separate faults.

The scanner left a dark line down the sheet edge, running the full height
of every page but the first. Being taller than any bracket it won every
overlap in anchor selection and swallowed the page into one system, so
five pages of six proposed no cuts at all. A page's brackets and barlines
are all about one system tall, so a stroke far taller than the typical
one is not notation — relative to the page's own strokes, since a page
holding one big system is legitimate.

The trim then removed each system's bottom line of lyrics. It judged ink
blobs by area, and a letter is nowhere near the threshold; a whole line
of them is dozens of blobs, none of which qualifies. Measure ink per row
and per column instead — a line of text carries plenty in total, and a
fleck's row carries almost none, which is the case the filter was for.

Detection now finds three systems on every page of that score, and every
slice keeps all four voices' words.
2026-07-29 12:22:08 +03:00
Esa Kataja 2a22fc469f Honour a page's /Rotate when extracting a scan
A scan fed sideways stores its image landscape and sets /Rotate 90 so a
viewer turns it upright. Extracting the image by xref — which is how a
raster source is read, to keep the scan's native resolution — bypasses
that, so every system ran down the page and detection found nothing.

Apply the page rotation to the extracted raster. Quarter turns only;
nothing produces anything else.
2026-07-29 12:08:45 +03:00
Esa Kataja 0da9dc29bf Merge dev: getting-started guide and engraving in the bundle 2026-07-29 11:42:59 +03:00
Esa Kataja cf1344c5bf Carry a re-engraved slice's notation in the bundle
A replaced slice shipped as pixels only, so the LilyPond behind it died
with the project file — and a project is spent once exported. Correcting
one wrong note meant retyping the system.

Slices gain an optional `engraving` object: the language, key, time and
one entry per voice holding the notes and lyrics verbatim. Structured per
staff rather than one blob of source, because that is what both a later
edit and a MIDI render want; song-level key and time are resolved per
slice so reading one needs no context from its neighbours.

Additive and ignorable, so the format stays at version 1.
2026-07-29 11:42:44 +03:00
Esa Kataja 630541c0cd Add a getting-started guide
A first user hit a wall at the door: the README still said "design only,
no code yet", and nothing anywhere said how to drive the editor.

docs/guide.md walks one PDF to one bundle — install, the five per-page
decisions, markers and jump targets, the title block, export — with a
mouse/key table and the failures that actually happen. The README's stale
status and installation lines go with it.
2026-07-29 11:42:36 +03:00
Esa Kataja 6ce45bb1d8 Merge dev: markers, LilyPond slice replacement, panel rework 2026-07-29 01:30:50 +03:00
Esa Kataja c36001f25f Merge dev: content rectangle detection, spent projects, ADR 0007 2026-07-28 23:55:07 +03:00
Esa Kataja 5f67a8c359 Merge dev: render pipeline, bundle export and the editor 2026-07-28 23:03:50 +03:00
Esa Kataja d5af7b6159 Merge dev: design docs, PDF input, detection and project state 2026-07-28 22:52:48 +03:00
19 changed files with 665 additions and 89 deletions
+10 -4
View File
@@ -8,7 +8,8 @@ A slice is one *system* — one full line of music across all voices, typically
scroll, so the slicer's job is to cut a printed page into systems, clean them up
enough to read on a tablet, and tag them with the score's navigation symbols.
**Status: design only.** No code yet. The design is settled; see below.
**New here? [docs/guide.md](docs/guide.md) walks you through making your first
bundle.**
## How it works
@@ -29,20 +30,25 @@ at it.
## Installation
Not yet installable. When it is:
```
uv tool install --editable .
```
That puts a `noteman-slicer` command on PATH which runs from any directory — no venv to
activate. Dependencies (PyMuPDF, PySide6, OpenCV, numpy) are all wheels; nothing
needs a system package.
needs a system package. LilyPond is optional and only enables re-engraving.
Then:
```
noteman-slicer edit my-song.pdf
```
## Documentation
| | |
|---|---|
| [docs/guide.md](docs/guide.md) | How to use it: install, cut a score, place markers, export a bundle. Start here if you just want to make one. |
| [CONTEXT.md](CONTEXT.md) | Glossary. What a slice, cut, discard, bundle and song scale actually mean here. Start here. |
| [docs/spec.md](docs/spec.md) | The specification: pipeline, geometry model, detection, editor, bundle format, and what noteman has to change. |
| [docs/bundle-format.md](docs/bundle-format.md) | The Score Bundle Format — a standalone specification of the export format, independent of this tool. |
+85 -3
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@@ -14,7 +14,8 @@ that writes or reads one.
**Slice** — one *system* of music: a single line spanning all voices, typically
four to twelve bars, with lyrics intact. A slice is the atomic unit of the
format. Slices are images and carry no notion of pitch, voice or beat.
format. A slice is presented as an image; a slice that was engraved rather than
scanned may also carry the notation it was engraved from.
**Marker** — a semantic annotation attached to a slice, describing a navigational
feature printed in the score: a rehearsal letter, a repeat, a jump.
@@ -112,6 +113,7 @@ Each entry of `slices` is an object:
|---|---|---|---|
| `file` | string | required | Name of the image entry in the archive. |
| `markers` | array | optional | Markers on this slice. Omitted when there are none. |
| `engraving` | object | optional | The notation this slice's image was engraved from, when it was engraved rather than scanned. See [Engraving](#engraving). |
**The array order is the reading order of the score.** It is the only ordering
the format defines. Filenames often sort into the same order, but a consumer
@@ -158,6 +160,77 @@ One specific hazard is worth naming, because it is silent: an image pipeline
that *discards* the alpha channel rather than compositing it will turn every
slice into a solid black rectangle, since the colour channels are all zero.
## Engraving
Most slices are photographs of print: an image and nothing more. A slice that
was *engraved* — set from notation rather than scanned — can carry the notation
it came from, in an `engraving` object.
```json
{
"file": "007.webp",
"engraving": {
"lang": "lilypond",
"key": "aes",
"time": "4/4",
"print_time": false,
"bar": 33,
"voices": [
{ "clef": "treble", "notes": "c4 des ees f | ees2. r4", "lyrics": "Kai -- paa -- va sy -- dän" },
{ "clef": "treble_8", "notes": "aes,4 aes aes aes | aes2. r4" },
{ "clef": "bass", "notes": "aes,4 ges f ees | aes2. r4" }
]
}
}
```
| Field | Type | | |
|---|---|---|---|
| `lang` | string | required | The notation language. `"lilypond"` is the only value defined by this version. |
| `voices` | array | required | One entry per staff, in the order they are printed top to bottom. At least one. |
| `key` | string | optional | Key signature, in `lang`'s spelling. For `lilypond`, the tonic of the major spelling: `"aes"`, `"c"`, `"fis"`. |
| `time` | string | optional | Time signature, as `"4/4"`. |
| `print_time` | boolean | optional | Whether the time signature is printed on this system. Default `false`. |
| `bar` | integer | optional | The measure this system starts at, as printed above its first bar. Omitted when the system is not numbered. |
Each entry of `voices`:
| Field | Type | | |
|---|---|---|---|
| `notes` | string | required | The music for this staff, verbatim in `lang`. |
| `clef` | string | optional | `"treble"`, `"treble_8"`, `"alto"`, `"bass"`. Default `"treble"`. |
| `lyrics` | string | optional | The words under this staff, verbatim in `lang`. Omitted when the staff has none. |
Three properties make this worth carrying:
- **It is the source, not a transcription.** The image was engraved from exactly
these strings. A consumer that re-engraves them gets the same system back.
- **It is editable.** A wrong note can be corrected here and the slice engraved
again, which a raster image does not allow.
- **It is playable.** `voices` are separated per staff with pitches, durations
and a key, so the passage can be sounded — a practice track, a click, a
pitch reference — without anyone reading the image.
`notes` and `lyrics` are opaque to this format. They are whatever `lang` accepts,
including constructs the fields above say nothing about: slurs, dynamics,
tuplets, and the tie idioms that carry a note across a slice boundary. A consumer
that does not speak `lang` must pass them through unaltered or ignore them, never
attempt to repair them.
An `engraving` **describes the slice above it, not the whole song**. Each is
self-contained: `key` and `time` are stated per slice, so nothing has to be
inherited from a neighbour or from the bundle. Slices without an `engraving` are
scanned, and the two kinds mix freely within one score — re-engraving a single
ruined system is the ordinary case.
A consumer that only presents the score can ignore `engraving` entirely. The
image is always the authority on what the slice looks like; where an image and
its engraving disagree, the image is what the producer intended to be read.
Notation languages other than `lilypond` may be added by future versions. A
consumer should ignore an `engraving` whose `lang` it does not know, and present
the slice image as it would any other.
## Markers
A marker annotates the slice it appears on.
@@ -215,7 +288,9 @@ ignore markers it does not understand rather than reject the bundle.
`v` is an integer that increases when a change would break an existing consumer.
Additions that a consumer can safely ignore — new optional fields, new marker
types — do not increase it.
types, new `engraving` languages — do not increase it. `engraving` was added
this way: a bundle carrying one is still a version 1 bundle, and a consumer that
has never heard of it presents the score unchanged.
A consumer should refuse a bundle whose `v` it does not recognise rather than
attempt to interpret it.
@@ -228,6 +303,8 @@ A consumer is advised to check:
- `title` is present and non-empty; `slices` is a non-empty array.
- Every `file` names an entry present in the archive.
- Every `destination` is within the bounds of `slices`.
- Every `engraving` has a `lang` and a non-empty `voices`; unknown `lang` values
are ignored rather than rejected.
- Archive entry names contain no path separators, no `..`, and no absolute
paths, as with any archive from an untrusted source.
@@ -272,7 +349,12 @@ song.zip
{ "file": "004.webp" },
{ "file": "005.webp" },
{ "file": "006.webp" },
{ "file": "007.webp" },
{ "file": "007.webp", "engraving": { "lang": "lilypond", "key": "aes", "time": "4/4",
"voices": [ { "clef": "treble",
"notes": "c4 des ees f | ees2. r4",
"lyrics": "Kai -- paa -- va sy -- dän" },
{ "clef": "bass",
"notes": "aes,4 ges f ees | aes2. r4" } ] } },
{ "file": "008.webp", "markers": [ { "type": "coda" } ] },
{ "file": "009.webp" }
]
+147
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@@ -0,0 +1,147 @@
# Making a bundle
Start to finish: a score PDF in, one `.zip` out that noteman can open. Fifteen
minutes for a typical four-page song, most of it spent nudging cuts.
## Install
```
uv tool install --editable .
```
That puts `noteman-slicer` on PATH; it runs from any directory. Everything it
needs is a wheel — no system packages. LilyPond is optional and only enables
re-engraving (below); without it the tool works the same minus that pane.
## The one command you need
```
noteman-slicer edit my-song.pdf
```
The editor opens on page 1 with detection's guesses already drawn: horizontal
**cuts** between the systems, a **skew** correction, and a blue **content
rectangle** marking what is music rather than page margin. All of it is a
starting point — detection is an accelerator, not an authority. Fix whatever is
wrong.
Your work is saved to `my-song.slicer.json` next to the PDF, automatically on
export and with Ctrl+S any time. Closing and reopening picks up where you left
off.
## What you do on each page
1. **Straighten it.** If the staff lines slope, turn the *Skew* dial until they
are level. The preview updates live.
2. **Fix the cuts.** One cut line per boundary between systems. Double-click to
add one, drag to move it, right-click to delete it. A cut is a polyline, not
a straight line — Ctrl-click on a cut adds a vertex, so it can bend around a
low-hanging lyric or a slur that crosses the gap. Right-click a vertex to
drop it.
3. **Discard what isn't music.** Page headers, footers, page numbers and title
blocks are slices too, and they should not reach the tablet. Click the slice,
press <kbd>D</kbd>. Discarded slices show hatched. <kbd>D</kbd> again brings
one back.
4. **Set the content rectangle.** Drag the blue edges so they hold the music and
nothing else. This is the horizontal crop for every slice on the page.
5. **Check black and white points.** These arrive proposed from the scan, like
the cuts do. If the paper still shows texture, pull *White point* down; if the
notes look grey rather than solid, pull *Black point* up. Getting this wrong
is the one mistake you cannot see until the bundle is on the tablet — grey ink
becomes half-transparent ink, and nothing downstream can rescue it.
Page Up / Page Down move between pages. Levels carry over from the previous
page, so a consistent scan only needs setting once.
## Markers
Markers are the navigation symbols noteman uses to jump around the score:
rehearsal letters, section labels, segno, coda, fine, repeats, voltas, and the
D.S./D.C. instructions. They belong to a slice.
Select the slice, pick the type, type a label if the type takes one (rehearsal
letters, section labels and voltas do), and press **Add**.
Jump markers — *to coda*, *D.S. al coda*, *D.C. al fine* and friends — also need
a destination. After adding one, press **Set target…** and click the slice it
jumps to, on any page. That is what lets noteman follow the repeat structure
instead of just scrolling.
## The title block
Fill in the *Song* section. **Title is required** — export refuses without one.
The rest (subtitle, composer, original artist, arranger, lyricist, translator,
voices) is optional and travels with the bundle into noteman's library.
*Tempo* is beats per minute, a number, because a number can drive a metronome
and "Andante" cannot.
## Export
**Export bundle…**, choose where the `.zip` goes, done. It is named after the
song's title — *Bicycle Race* becomes `Bicycle-Race.zip`. Inside are the slice
images in order, their markers, the song metadata, and the original PDF as the
archive copy. That zip is the whole interface to noteman; hand it over and open
it there.
Two things worth knowing:
- **Shrink the original PDF…** offers to store the archived PDF as bilevel,
which is dramatically smaller for scans. It shows you a before/after crop
first — check that the staff lines survived. It never touches the slices.
- **An exported project is spent.** Reopening the same PDF starts fresh from
detection rather than resuming decisions that already shipped. If you really
want the old cuts back, `noteman-slicer edit my-song.pdf --resume`.
## Re-engraving a slice (optional, needs LilyPond)
When a system is beyond rescue — a bad scan, a wrong transposition, a passage
you want rewritten — shift-double-click it. A window opens where you enter the
music as LilyPond, one block per voice, render, and compare against the
original. Accept and the rendered version replaces that slice in the bundle.
The LilyPond you typed travels in the bundle alongside the image, so the passage
can be corrected and re-engraved later, or played, without the project file.
## Mouse and keyboard
| | |
|---|---|
| Double-click | add a cut |
| Drag a cut | move it |
| Ctrl-click a cut | add a vertex |
| Right-click | delete the cut or vertex under the cursor |
| Click a slice, then <kbd>D</kbd> | discard it (or bring it back) |
| Drag the blue edges | resize the content rectangle |
| Shift-double-click a slice | re-engrave it |
| <kbd>Page Up</kbd> / <kbd>Page Down</kbd> | previous / next page |
| <kbd>Ctrl</kbd>+<kbd>S</kbd> | save the project |
## What the tool won't do
Erasing a previous owner's pencil marks, chord letters and breath marks. Do that
in GIMP before slicing — with a stylus it is quick, and no amount of thresholding
substitutes for it.
## When something looks wrong
| | |
|---|---|
| Detection found no systems, or one giant one | The score has no bracket joining the staves; add the cuts by hand. |
| "The PDF has changed since these cuts were made" | The file was edited or replaced under an existing project. The cuts probably no longer line up — re-cut. |
| Export says a title is required | Fill in *Song → Title*. |
| Slices look grey and washed out | The white point is too high. |
| Notes have holes in them | The black point is too high. |
## The command line
The editor is the tool; these exist for checking things quickly.
```
noteman-slicer info my-song.pdf # source type and page rasters
noteman-slicer detect my-song.pdf # detection results + debug overlays
noteman-slicer project my-song.pdf # what the project file currently holds
noteman-slicer export my-song.pdf # export without opening the editor
```
Every command takes `--type raster|vector` to override source-type detection.
+8
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@@ -236,6 +236,14 @@ point just under the paper's luminance and the paper vanishes completely; set th
black point at the ink's darkest and notes go solid. It is also the single
biggest lever on output size.
**Detection proposes both**, like it proposes cuts and skew, because the default
0255 is the one setting whose harm is invisible until the bundle is on a tablet.
Notation is two-tone, so Otsu's split between ink and paper is the measurement;
the points sit halfway from it to each end of the range, leaving the ramp between
them as the antialiasing. A page already scanned bilevel has no interior split —
Otsu degenerates to 0 there — and is left at 0255. The proposal is per page and
the median becomes the song's, so a near-blank page cannot set it.
Adaptive methods (CLAHE, adaptive thresholding) are the trap — tuned for text,
they eat the thin stuff on notation: hairpin tips, slur ends, ledger lines,
tapered beams. A global LUT whose effect you can see beats a local algorithm you
+42
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@@ -13,6 +13,7 @@ a jump source's `destination`.
from __future__ import annotations
import json
import re
import zipfile
from pathlib import Path
@@ -39,6 +40,44 @@ METADATA_FIELDS = (
NUMERIC_FIELDS = frozenset({"tempo"})
def filename(project: Project) -> str:
"""The bundle's name, from the song's title.
Spaces become dashes and anything that is not a letter, digit, dash, dot or
underscore goes. Letters keep their accents — ä and ö are not a filesystem's
problem — but a leading dot would make the bundle invisible.
"""
# Drop the unsafe characters before collapsing whitespace, not after, or
# "Sävel & Ääni" keeps the dash the ampersand left behind.
title = re.sub(r"[^\w\s.-]", "", (project.metadata.get("title") or ""))
return f"{re.sub(r'\s+', '-', title.strip()).lstrip('.-') or 'song'}.zip"
def _engraving(project: Project, page: int, slot: int) -> dict | None:
"""The notation behind a re-engraved slice, or None for a scanned one.
The slice image stays the presentation; this is the notation it was made
from, carried so the music can be edited again or turned into sound. Key
and time are resolved against the song defaults here — a consumer reading
one slice should not have to know what the rest of the song inherited.
"""
replacement = project.pages[page].replacements[slot]
if not replacement or not replacement.voices:
return None
return {
"lang": "lilypond",
"key": replacement.key or project.key,
"time": replacement.time or project.time,
"print_time": replacement.print_time,
**({"bar": replacement.bar} if replacement.bar else {}),
"voices": [
{"clef": v.clef, "notes": v.notes.strip()}
| ({"lyrics": v.lyrics.strip()} if v.lyrics.strip() else {})
for v in replacement.voices
],
}
def song_json(project: Project, files: list[str]) -> dict:
payload: dict = {"v": FORMAT_VERSION}
for field in METADATA_FIELDS:
@@ -62,6 +101,9 @@ def song_json(project: Project, files: list[str]) -> dict:
slices: list[dict] = []
for name, (page, slot) in zip(files, kept):
entry: dict = {"file": name}
engraving = _engraving(project, page, slot)
if engraving:
entry["engraving"] = engraving
markers = []
for marker in project.pages[page].markers[slot]:
item: dict = {"type": marker.type}
+1 -1
View File
@@ -87,7 +87,7 @@ def _export(args: argparse.Namespace) -> int:
elif project.source_changed():
print("WARNING: the PDF has changed since these cuts were made")
out = Path(args.out) if args.out else source.path.with_suffix(".zip")
out = Path(args.out) if args.out else source.path.with_name(bundle.filename(project))
try:
bundle.write(project, source, out)
except ValueError as error:
+38 -1
View File
@@ -26,6 +26,7 @@ _SKEW_WORK_SCALE = 0.25
_INK = 128 # below this is ink, above is paper
_ANCHOR_KERNEL = 0.03 # vertical open kernel, as a fraction of page height
_ANCHOR_MIN = 0.04 # a bracket is at least this tall, as a fraction of page
_ANCHOR_MAX_RATIO = 2.0 # a stroke this much taller than the typical one is an artefact
_PROFILE_FLOOR = 0.02 # ink-run threshold, as a fraction of the profile peak
_EXPAND_REACH = 1.5 # how far past the bracket a system's ink reaches, in staff heights
_STAFF_KERNEL = 0.05 # horizontal open kernel, as a fraction of page width
@@ -64,6 +65,7 @@ class PageDetection:
systems: list[System] = field(default_factory=list)
cuts: list[int] = field(default_factory=list)
content: tuple[float, float, float, float] = (0.0, 0.0, 1.0, 1.0)
levels: tuple[int, int] = (0, 255)
@property
def bracketless(self) -> bool:
@@ -123,6 +125,17 @@ def system_anchors(gray: np.ndarray) -> list[Anchor]:
if stats[i, cv2.CC_STAT_HEIGHT] > h * _ANCHOR_MIN
]
# A scanner leaves a dark line down the sheet edge — the binder shadow, the
# glass, the page next to it — and it runs the whole height of the scan.
# Being the tallest stroke on the page it wins every overlap below and
# swallows every system into one. A page's brackets and barlines are all
# about one system tall, so anything wildly taller than the typical stroke
# is not notation. Relative, not an absolute fraction of the page: a page
# holding one big system is legitimate and must survive.
if len(tall) > 1:
limit = float(np.median([a.bottom - a.top for a in tall])) * _ANCHOR_MAX_RATIO
tall = [a for a in tall if a.bottom - a.top <= limit] or tall
# Tallest first, keeping only strokes that don't overlap one already kept:
# a system's barlines all overlap its bracket, so each system yields one.
# The kept stroke is the tallest, which is the bracket rather than a barline.
@@ -280,6 +293,26 @@ def staff_height(gray: np.ndarray, top: int, bottom: int) -> float | None:
return float(np.median(intra) * 4) # 5 lines, 4 spaces
def ink_levels(gray: np.ndarray) -> tuple[int, int]:
"""Black and white points that put the ink on black and the paper on white.
Left at 0255 a slice ships whatever grey the scanner produced, and the
downscale to the song's width then blends every stroke edge further, so a
fine engraving arrives on the tablet as a wash. Notation is two-tone by
nature — ink and paper, nothing in between — so Otsu's split is exactly the
measurement wanted, and the points sit halfway to each end of the range from
it. Halfway rather than at the split itself: the ramp between them is the
antialiasing, and collapsing it would leave the notes jagged.
"""
split = float(cv2.threshold(gray, 0, 255, cv2.THRESH_BINARY + cv2.THRESH_OTSU)[0])
if split < 1:
# A page already scanned bilevel has no interior split to find, and
# Otsu degenerates to 0. There is nothing between ink and paper to
# stretch, so leave the sliders where they are.
return 0, 255
return int(split / 2), int(split + (255 - split) / 2)
def _gap(run: tuple[int, int], anchor: Anchor) -> int:
"""Vertical distance between an ink run and a bracket; 0 if they overlap."""
start, end = run
@@ -375,5 +408,9 @@ def detect_page(gray: np.ndarray, skew: float | None = None) -> PageDetection:
# would risk clipping a tempo mark or a section label above the first staff.
left, right = content_columns(straight, anchors)
return PageDetection(
skew=angle, systems=systems, cuts=cuts, content=(left, 0.0, right, 1.0)
skew=angle,
systems=systems,
cuts=cuts,
content=(left, 0.0, right, 1.0),
levels=ink_levels(straight),
)
+71 -50
View File
@@ -75,6 +75,8 @@ _CUT = QColor(220, 40, 40)
_CUT_ACTIVE = QColor(255, 120, 0)
_VERTEX = QColor(255, 200, 0)
_DISCARD = QColor(120, 120, 140, 90)
_SELECT = QColor(0, 170, 0)
_SELECT_WASH = QColor(0, 200, 60, 40)
_RECT = QColor(40, 140, 220)
_MARKER = QColor(150, 60, 190)
_ENGRAVED = QColor(200, 120, 0)
@@ -82,6 +84,49 @@ _ENGRAVED_WASH = QColor(230, 160, 30, 55)
_BADGE_Z = 10
def section(title: str, box: QVBoxLayout, *, expanded: bool = True) -> QVBoxLayout:
"""A collapsible section. Returns the layout its contents go into.
A disclosure arrow, not a checkable QGroupBox: a checkbox in a group
header reads as "enable this feature" rather than "expand this", and a
column of framed boxes with checkboxes is hard to scan.
"""
header = QToolButton()
header.setText(title)
header.setCheckable(True)
header.setChecked(expanded)
header.setArrowType(Qt.DownArrow if expanded else Qt.RightArrow)
header.setToolButtonStyle(Qt.ToolButtonTextBesideIcon)
header.setAutoRaise(True)
header.setSizePolicy(QSizePolicy.Expanding, QSizePolicy.Fixed)
# Bold and greyed: a mid grey reads as a heading against both light and
# dark palettes without needing a second stylesheet.
header.setStyleSheet(
"QToolButton {"
" border: none;"
" font-weight: 700;"
" color: #808080;"
" padding: 7px 0 4px 0;"
" text-align: left;"
"}"
"QToolButton:hover { color: #a0a0a0; }"
)
body = QWidget()
layout = QVBoxLayout(body)
layout.setContentsMargins(10, 6, 0, 10)
body.setVisible(expanded)
def toggled(open_: bool) -> None:
body.setVisible(open_)
header.setArrowType(Qt.DownArrow if open_ else Qt.RightArrow)
header.toggled.connect(toggled)
box.addWidget(header)
box.addWidget(body)
return layout
class PageView(QGraphicsView):
"""Pan, zoom, and direct manipulation of cuts and the content rectangle."""
@@ -104,6 +149,7 @@ class PageView(QGraphicsView):
self.selected_slice = 0
self.picking = False
self._drag: tuple[str, int, int] | None = None
self._fitted = False
# -- state ------------------------------------------------------------
@@ -137,10 +183,15 @@ class PageView(QGraphicsView):
self._slice_polygon(slot, w, h), QPen(Qt.NoPen), QBrush(_DISCARD)
)
# The selected slice, outlined so trim anomalies are visible.
pen = QPen(QColor(0, 170, 0), 2)
# The selected slice. The outline alone is nearly invisible: its top and
# bottom edges run under the cut lines drawn over them, leaving two thin
# verticals at the page margins. A wash says which slice is selected at
# a glance; the outline stays, because it is what shows trim anomalies.
selected = self._slice_polygon(self.selected_slice, w, h)
scene.addPolygon(selected, QPen(Qt.NoPen), QBrush(_SELECT_WASH))
pen = QPen(_SELECT, 3)
pen.setCosmetic(True)
scene.addPolygon(self._slice_polygon(self.selected_slice, w, h), pen)
scene.addPolygon(selected, pen)
x0, y0, x1, y1 = self.project.page_content_rect(self.page_index)
pen = QPen(_RECT, 2, Qt.DashLine)
@@ -361,6 +412,15 @@ class PageView(QGraphicsView):
self.redraw()
self.changed.emit()
def resizeEvent(self, event) -> None:
super().resizeEvent(event)
# The fit in show_page runs before the window has been laid out, when
# the viewport is still its default size, so the first page opens at
# some arbitrary zoom. Redo it once, when the real size arrives.
if not self._fitted and self.pixmap is not None:
self._fitted = True
self.fitInView(self.scene().sceneRect(), Qt.KeepAspectRatio)
def wheelEvent(self, event) -> None:
factor = 1.15 if event.angleDelta().y() > 0 else 1 / 1.15
self.scale(factor, factor)
@@ -409,48 +469,6 @@ class Editor(QMainWindow):
# -- ui ---------------------------------------------------------------
def _section(self, title: str, box: QVBoxLayout, *, expanded: bool = True) -> QVBoxLayout:
"""A collapsible section. Returns the layout its contents go into.
A disclosure arrow, not a checkable QGroupBox: a checkbox in a group
header reads as "enable this feature" rather than "expand this", and a
column of framed boxes with checkboxes is hard to scan.
"""
header = QToolButton()
header.setText(title)
header.setCheckable(True)
header.setChecked(expanded)
header.setArrowType(Qt.DownArrow if expanded else Qt.RightArrow)
header.setToolButtonStyle(Qt.ToolButtonTextBesideIcon)
header.setAutoRaise(True)
header.setSizePolicy(QSizePolicy.Expanding, QSizePolicy.Fixed)
# Bold and greyed: a mid grey reads as a heading against both light and
# dark palettes without needing a second stylesheet.
header.setStyleSheet(
"QToolButton {"
" border: none;"
" font-weight: 700;"
" color: #808080;"
" padding: 7px 0 4px 0;"
" text-align: left;"
"}"
"QToolButton:hover { color: #a0a0a0; }"
)
body = QWidget()
layout = QVBoxLayout(body)
layout.setContentsMargins(10, 6, 0, 10)
body.setVisible(expanded)
def toggled(open_: bool) -> None:
body.setVisible(open_)
header.setArrowType(Qt.DownArrow if open_ else Qt.RightArrow)
header.toggled.connect(toggled)
box.addWidget(header)
box.addWidget(body)
return layout
def _panel(self) -> QWidget:
inner = QWidget()
box = QVBoxLayout(inner)
@@ -469,7 +487,7 @@ class Editor(QMainWindow):
nav.addWidget(nxt)
box.addLayout(nav)
page_section = self._section("Page", box)
page_section = section("Page", box)
form = QFormLayout()
page_section.addLayout(form)
self.skew = QDoubleSpinBox()
@@ -498,7 +516,7 @@ class Editor(QMainWindow):
reset.clicked.connect(self._reset_rect)
form.addRow(reset)
marker_layout = self._section("Markers on this slice", box)
marker_layout = section("Markers on this slice", box)
self.marker_list = QListWidget()
self.marker_list.setMaximumHeight(110)
marker_layout.addWidget(self.marker_list)
@@ -531,7 +549,7 @@ class Editor(QMainWindow):
# slices are never re-engraved, and it is the tallest block here.
self.ly_status = None
if lilypond.available():
ly_layout = self._section("Re-engrave this slice", box, expanded=False)
ly_layout = section("Re-engrave this slice", box, expanded=False)
open_engrave = QPushButton("Open engrave window…")
open_engrave.setToolTip("Or double-click the slice on the page")
open_engrave.clicked.connect(self._open_engrave)
@@ -541,7 +559,7 @@ class Editor(QMainWindow):
self.ly_status.setStyleSheet("color: #808080;")
ly_layout.addWidget(self.ly_status)
meta_layout = self._section("Song", box)
meta_layout = section("Song", box)
meta_form = QFormLayout()
meta_layout.addLayout(meta_form)
self.metadata: dict[str, QLineEdit] = {}
@@ -844,7 +862,10 @@ class Editor(QMainWindow):
self.metadata["title"].setFocus()
return
target, _ = QFileDialog.getSaveFileName(
self, "Export bundle", str(self.source.path.with_suffix(".zip")), "Bundle (*.zip)"
self,
"Export bundle",
str(self.source.path.with_name(bundle.filename(self.project))),
"Bundle (*.zip)",
)
if not target:
return
+22 -3
View File
@@ -14,7 +14,7 @@ from __future__ import annotations
import cv2
import numpy as np
from PySide6.QtCore import Qt
from PySide6.QtGui import QImage, QKeySequence, QPixmap, QShortcut
from PySide6.QtGui import QImage, QIntValidator, QKeySequence, QPixmap, QShortcut
from PySide6.QtWidgets import (
QCheckBox,
QComboBox,
@@ -33,6 +33,7 @@ from PySide6.QtWidgets import (
from . import lilypond
from .detect import staff_height
from .editor import section
from .project import Project, Replacement, Voice
@@ -180,6 +181,16 @@ class EngraveWindow(QDialog):
self.print_time.toggled.connect(self._settings_changed)
row.addWidget(self.print_time, 1)
top.addRow("Time", row)
# Per slice, unlike key and time: which measure a system starts at is
# the one thing that changes with every slice and cannot be inherited.
self.bar = QLineEdit("" if self.replacement.bar is None else str(self.replacement.bar))
self.bar.setValidator(QIntValidator(1, 9999, self.bar))
self.bar.setFixedWidth(70)
self.bar.setPlaceholderText("none")
self.bar.setToolTip("Printed above the first bar, as a printed score numbers its systems")
self.bar.textChanged.connect(self._bar_changed)
top.addRow("First bar", self.bar)
box.addLayout(top)
voices_label = QLabel("Voices")
@@ -209,11 +220,15 @@ class EngraveWindow(QDialog):
self.status.setWordWrap(True)
box.addWidget(self.status)
# Collapsed: the source is what the form writes for you, so it is for
# checking what a field did, not for working in. Open it and it stays
# open for the life of the window.
raw = section("LilyPond source", box, expanded=False)
self.generated = QPlainTextEdit()
self.generated.setReadOnly(True)
self.generated.setMaximumHeight(120)
self.generated.setMaximumHeight(220)
self.generated.setStyleSheet("color: #808080;")
box.addWidget(self.generated)
raw.addWidget(self.generated)
self._refresh_source()
return panel
@@ -240,6 +255,10 @@ class EngraveWindow(QDialog):
row.setParent(None)
self._refresh_source()
def _bar_changed(self, text: str) -> None:
self.replacement.bar = int(text) if text.strip().isdigit() else None
self._refresh_source()
def _settings_changed(self) -> None:
# Set on the song, not the slice: they are song properties in practice,
# and this is what makes the next re-engraved slice open pre-filled.
+40 -2
View File
@@ -12,6 +12,7 @@ scaling.
from __future__ import annotations
import re
import shutil
import subprocess
import tempfile
@@ -63,6 +64,25 @@ RELATIVE_REFERENCE = {
"bass": "c",
}
# LilyPond renamed the repeat barlines and silently draws *nothing* for the old
# names — no error, no warning, just a missing repeat that you find on the
# tablet. Every book, every forum answer and every score anyone has typed before
# uses the old ones, so translate them.
_BAR_ALIASES = {
"|:": ".|:",
":|": ":|.",
":|:": ":|.|:",
"||:": ".|:",
":||": ":|.",
":||:": ":|.|:",
}
_BAR = re.compile(r'(\\bar\s*")([^"]*)(")')
def _modernise_bars(notes: str) -> str:
return _BAR.sub(lambda m: m[1] + _BAR_ALIASES.get(m[2], m[2]) + m[3], notes)
_PREAMBLE = """\\version "2.24.0"
\\paper {
indent = 0\\mm
@@ -85,17 +105,35 @@ def generate(replacement, key: str, time: str) -> str:
key = replacement.key or key
time = replacement.time or time
# Bar numbering is a Score property, so it is set once, on the first staff.
# Visible at the beginning of a line and nowhere else — which in a
# one-system slice means exactly one number, above the first bar, the way a
# printed score numbers its systems. The empty bar line is what gives the
# number a line beginning to attach to.
number = ""
if replacement.bar:
number = (
f" \\set Score.currentBarNumber = #{int(replacement.bar)}\n"
" \\override Score.BarNumber.break-visibility = #'#(#f #f #t)\n"
' \\bar ""\n'
)
staves = []
for voice in replacement.voices:
hide = "" if replacement.print_time else " \\omit Staff.TimeSignature\n"
body = voice.notes.strip() or "s1"
body = _modernise_bars(voice.notes.strip()) or "s1"
reference = RELATIVE_REFERENCE.get(voice.clef, "c'")
staff = (
" \\new Staff {\n"
f"{hide}"
f" \\clef {voice.clef}\n"
# Quoted, because an octavated name has to be: unquoted,
# `\clef treble_8` parses as a plain treble clef with a stray "8"
# markup that lands under the first note, and the staff then reads
# an octave off.
f' \\clef "{voice.clef}"\n'
f" \\key {key} \\major\n"
f" \\time {time}\n"
f"{number if not staves else ''}"
f" \\relative {reference} {{ {body} }}\n"
" }\n"
)
+16 -1
View File
@@ -90,13 +90,28 @@ def page_raster(source: Source, index: int) -> np.ndarray:
# Pixmap(doc, xref) rather than decoding extract_image() bytes:
# MuPDF handles JBIG2 and CCITT, which no image library will.
pix = pymupdf.Pixmap(source.doc, xref)
return _to_gray(pix)
# The embedded image is in its own orientation, not the page's: a
# scanner that fed the sheet sideways stores it landscape and the
# PDF sets /Rotate so viewers turn it upright. Extracting by xref
# bypasses that, so apply it here — otherwise every system runs
# down the page and detection finds nothing.
return _rotate(_to_gray(pix), page.rotation)
# A scanned PDF whose page has no embedded image (a blank, or a
# cover typeset in vector). Rendering is the only option left.
return _to_gray(page.get_pixmap(dpi=source.render_dpi, colorspace=pymupdf.csGRAY))
def _rotate(gray: np.ndarray, degrees: int) -> np.ndarray:
"""Turn a page raster clockwise by a multiple of 90°, as /Rotate means it.
ponytail: quarter turns only. A page rotated by anything else would need
resampling, and no scanner produces one.
"""
turns = round(degrees / 90) % 4
return np.ascontiguousarray(np.rot90(gray, -turns)) if turns else gray
def _to_gray(pix: pymupdf.Pixmap) -> np.ndarray:
if pix.alpha or pix.colorspace is None or pix.colorspace.n != 1:
pix = pymupdf.Pixmap(pymupdf.csGRAY, pix)
+19 -1
View File
@@ -15,6 +15,7 @@ import hashlib
import json
from dataclasses import dataclass, field
from pathlib import Path
from statistics import median
from .detect import PageDetection
@@ -146,6 +147,10 @@ class Replacement:
voices: list[Voice] = field(default_factory=list)
key: str | None = None
time: str | None = None
# The measure this system starts at, printed above its first bar the way a
# score numbers its systems. Per slice and nothing else: it is the one thing
# about a replacement that cannot be inherited or guessed.
bar: int | None = None
# The printed score repeats the key signature at every system but not the
# time signature, so a re-engraved middle slice must not show one.
print_time: bool = False
@@ -296,7 +301,18 @@ class Project:
content_rect=detection.content,
)
)
return cls(source=source, source_hash=hash_file(source), pages=pages)
# Levels per song, not per page: a scanner's contrast does not change
# between sheets, and one pair of sliders for the whole song is what a
# user actually wants to nudge. The median keeps a near-blank page —
# where the ink/paper split is guesswork — from setting them.
proposals = [d.levels for d in detections] or [(0, 255)]
levels = (
int(median(b for b, _ in proposals)),
int(median(w for _, w in proposals)),
)
return cls(
source=source, source_hash=hash_file(source), pages=pages, levels=levels
)
def save(self, path: Path | None = None) -> Path:
"""Atomic write, so a crash mid-save cannot destroy the previous state."""
@@ -344,6 +360,7 @@ class Project:
**({"key": r.key} if r.key else {}),
**({"time": r.time} if r.time else {}),
**({"print_time": True} if r.print_time else {}),
**({"bar": r.bar} if r.bar else {}),
}
for r in page.replacements
],
@@ -400,6 +417,7 @@ class Project:
key=r.get("key"),
time=r.get("time"),
print_time=r.get("print_time", False),
bar=r.get("bar"),
)
for r in page.get("replacements", [None] * len(page["discards"]))
],
+19 -18
View File
@@ -26,7 +26,10 @@ from .project import Cut, Project
MAX_WIDTH = 1920
ALPHA_LEVELS = 16 # quantising alpha costs nothing visible and ~32% of the bytes
_SPECK_AREA = 300 # ink blobs smaller than this don't anchor a trim
# A row or column carrying less ink than this is a fleck, not content: at least
# this many pixels, and at least this share of the slice's own size.
_SPECK_INK = 8
_SPECK_SHARE = 0.005
@dataclass
@@ -105,26 +108,24 @@ def _ink_bbox(gray: np.ndarray) -> tuple[int, int, int, int] | None:
One scan fleck at the far left would otherwise anchor the trim and shift
that slice relative to every other one.
Measured per row and per column rather than per blob. Judging each blob on
its own area throws away a whole line of lyrics every letter is its own
small component, and no single one is big enough to keep which is how a
slice loses its bottom voice's words. A row carrying a line of text carries
plenty of ink *in total*, and a fleck's row carries almost none.
"""
ink = (gray < 200).astype(np.uint8)
count, _, stats, _ = cv2.connectedComponentsWithStats(ink, 8)
boxes = [
(
stats[i, cv2.CC_STAT_LEFT],
stats[i, cv2.CC_STAT_TOP],
stats[i, cv2.CC_STAT_LEFT] + stats[i, cv2.CC_STAT_WIDTH],
stats[i, cv2.CC_STAT_TOP] + stats[i, cv2.CC_STAT_HEIGHT],
)
for i in range(1, count)
if stats[i, cv2.CC_STAT_AREA] >= _SPECK_AREA
]
if not boxes:
ink = gray < 200
rows, cols = ink.sum(axis=1), ink.sum(axis=0)
kept_rows = np.where(rows >= max(_SPECK_INK, ink.shape[1] * _SPECK_SHARE))[0]
kept_cols = np.where(cols >= max(_SPECK_INK, ink.shape[0] * _SPECK_SHARE))[0]
if not kept_rows.size or not kept_cols.size:
return None
return (
min(b[0] for b in boxes),
min(b[1] for b in boxes),
max(b[2] for b in boxes),
max(b[3] for b in boxes),
int(kept_cols[0]),
int(kept_rows[0]),
int(kept_cols[-1]) + 1,
int(kept_rows[-1]) + 1,
)
+23 -1
View File
@@ -14,7 +14,12 @@ import numpy as np
sys.path.insert(0, str(Path(__file__).resolve().parents[1]))
from noteman_slicer.detect import deskew, deskew_angle, detect_page # noqa: E402
from noteman_slicer.detect import ( # noqa: E402
deskew,
deskew_angle,
detect_page,
ink_levels,
)
W, H = 1000, 1400
STAFF_GAP = 15 # → staff height 60, so expansion reaches 90px past a bracket
@@ -71,6 +76,23 @@ def main() -> int:
found = deskew_angle(deskew(page, angle))
assert abs(found + angle) <= 0.15, f"skew {angle}: got {found}"
# Levels are proposed too. A grey scan left at 0255 ships its wash to the
# tablet, and the downscale to the song's width only blends it further.
grey = np.full((H, W), 210, np.uint8) # paper, not white
grey[200:400, 100:900] = 70 # ink, not black
black, white = ink_levels(grey)
assert black < 70 < white < 210, (black, white)
# A page already bilevel has nothing between ink and paper to stretch.
assert ink_levels(_page()) == (0, 255)
# A scanner's edge line runs the whole height of the sheet. Being taller
# than every bracket it used to win each overlap and swallow the page into
# one system — Olukainen juomukainen, where five pages of six came out as a
# single slice each.
scanned = _page()
scanned[10 : H - 10, W - 8 : W - 4] = 0
assert len(detect_page(scanned).systems) == 2, "an edge artefact is not a bracket"
# No brackets: every ink run is its own system.
bare = np.full((H, W), 255, np.uint8)
for y in (200, 500, 800):
+23
View File
@@ -19,6 +19,7 @@ sys.path.insert(0, str(Path(__file__).resolve().parents[1]))
from PySide6.QtWidgets import QApplication # noqa: E402
from noteman_slicer import bundle # noqa: E402
from noteman_slicer.detect import detect_page # noqa: E402
from noteman_slicer.editor import Editor # noqa: E402
from noteman_slicer.pdf import open_source, page_raster # noqa: E402
@@ -105,6 +106,28 @@ def main() -> int:
assert reloaded.pages[0].levels == (40, 210)
assert [c.points for c in reloaded.pages[0].cuts] == [c.points for c in page.cuts]
# The page fits the viewport once the window has a real size. show_page's
# own fit runs before layout, when the viewport is still its default.
editor.resize(900, 700)
editor.show()
app.processEvents()
scene = editor.view.sceneRect()
scale = editor.view.transform().m11()
viewport = editor.view.viewport()
fill = max(
scale * scene.width() / viewport.width(),
scale * scene.height() / viewport.height(),
)
# Fit means nearly touching one edge — Qt leaves a small margin of its own.
# A "≤ 1" check alone would pass a page zoomed down to a dot.
assert 0.9 <= fill <= 1.02, f"page is not fitted to the window: {fill:.3f}"
# The bundle is named after the song, not the PDF.
assert bundle.filename(project) == "Ketun-joululaulu.zip"
project.metadata["title"] = "AC/DC: T.N.T. (live)"
assert bundle.filename(project) == "ACDC-T.N.T.-live.zip"
project.metadata["title"] = "Ketun joululaulu"
editor.close()
source.close()
for f in (pdf, saved):
+35
View File
@@ -52,6 +52,39 @@ def _scan_pdf(path: Path) -> None:
def main() -> int:
# Bar aliases are string work, so they are checked whether or not LilyPond
# is installed. The old repeat names draw nothing at all in 2.24 — silently,
# which is how a missing repeat reaches a tablet.
aliased = lilypond.generate(
Replacement(voices=[Voice("treble", 'c4 d \\bar ":|" e f \\bar "|:" g', "")]), "c", "4/4"
)
assert '\\bar ":|."' in aliased and '\\bar ".|:"' in aliased, aliased
kept = lilypond.generate(
Replacement(voices=[Voice("treble", 'c4 \\bar "|." d', "")]), "c", "4/4"
)
assert '\\bar "|."' in kept, "a name LilyPond still knows is left alone"
# An octavated clef name must be quoted. Unquoted, `\clef treble_8` is a
# plain treble with a stray "8" markup under the first note, an octave off.
tenor = lilypond.generate(
Replacement(voices=[Voice("treble_8", "c4 d", "")]), "c", "4/4"
)
assert '\\clef "treble_8"' in tenor, tenor
# A bar number is set once, on the first staff, since it is a Score
# property, and is visible only at a line beginning — one number above the
# first bar, as a printed score numbers its systems.
numbered = lilypond.generate(
Replacement(voices=[Voice("treble", "c4 d", ""), Voice("bass", "c4 d", "")], bar=33),
"c",
"4/4",
)
assert numbered.count("currentBarNumber = #33") == 1, numbered
assert "break-visibility = #'#(#f #f #t)" in numbered
assert "currentBarNumber" not in lilypond.generate(
Replacement(voices=[Voice("treble", "c4 d", "")]), "c", "4/4"
), "an unnumbered system prints no number"
if not lilypond.available():
print("ok (skipped: LilyPond not installed)")
return 0
@@ -138,6 +171,7 @@ def main() -> int:
assert page.replacements[second] is SATB
# Round-trip, including the song-level engraving defaults.
SATB.bar = 33
project.key, project.time, project.clefs = "aes", "3/4", ["treble", "bass"]
saved = project.save()
reloaded = Project.load(saved)
@@ -146,6 +180,7 @@ def main() -> int:
assert restored is not None
assert [v.clef for v in restored.voices] == ["treble", "bass"]
assert restored.voices[0].lyrics == "la la la la la la"
assert restored.bar == 33, "the slice's bar number survives a save"
assert reloaded.pages[0].replacements[first] is None
source.close()
+26
View File
@@ -22,6 +22,8 @@ from noteman_slicer.project import ( # noqa: E402
Cut,
Marker,
Project,
Replacement,
Voice,
default_path,
)
@@ -91,6 +93,30 @@ def main() -> int:
assert slices[1]["markers"][0] == {"type": "coda"}
assert slices[0]["markers"][1] == {"type": "to_coda", "destination": 1}
# A re-engraved slice carries its notation into the bundle; a scanned one
# carries none. This is what makes a later edit or a MIDI render possible
# from the bundle alone.
project.key, project.time = "aes", "3/4"
page.replacements[second] = Replacement(
voices=[Voice("treble", "c4 d e f", "la la la la"), Voice("bass", " c4 d e f ", " ")],
bar=33,
)
engraved = song_json(project, names)["slices"]
assert "engraving" not in engraved[0], "a scanned slice has no notation"
ly = engraved[1]["engraving"]
assert ly["lang"] == "lilypond"
# Song defaults are resolved per slice: reading one slice needs no context.
assert (ly["key"], ly["time"], ly["print_time"], ly["bar"]) == ("aes", "3/4", False, 33)
assert ly["voices"][0] == {"clef": "treble", "notes": "c4 d e f", "lyrics": "la la la la"}
assert "lyrics" not in ly["voices"][1], "an empty field is absent, not empty"
assert ly["voices"][1]["notes"] == "c4 d e f"
override = Replacement(voices=page.replacements[second].voices, key="d", print_time=True)
page.replacements[second] = override
ly = song_json(project, names)["slices"][1]["engraving"]
assert (ly["key"], ly["time"], ly["print_time"]) == ("d", "3/4", True)
page.replacements[second] = None
# A jump whose target got discarded is dropped, not exported dangling.
project.pages[0].discards[second] = True
dropped = song_json(project, ["001.webp"])
+26 -4
View File
@@ -28,15 +28,21 @@ def _vector_pdf(path: Path, pages: int = 2) -> None:
doc.save(path)
def _scan_pdf(path: Path, pages: int = 2, w: int = 1653, h: int = 2332) -> None:
"""Each page is one full-page grayscale image — what a real scan looks like."""
def _scan_pdf(path: Path, pages: int = 2, w: int = 1653, h: int = 2332, rotation: int = 0) -> None:
"""Each page is one full-page grayscale image — what a real scan looks like.
`rotation` reproduces a sheet fed sideways: the image is stored in its own
orientation and /Rotate turns it upright for a viewer.
"""
art = np.full((h, w), 255, np.uint8)
art[500:505, 100 : w - 100] = 0 # a staff line, so it isn't uniform
art[:60, :60] = 0 # a corner mark, so orientation is checkable
pix = pymupdf.Pixmap(pymupdf.csGRAY, w, h, bytearray(art.tobytes()), False)
doc = pymupdf.open()
for _ in range(pages):
page = doc.new_page(width=A4.width, height=A4.height)
page = doc.new_page(width=A4.width, height=A4.width * h / w)
page.insert_image(page.rect, pixmap=pix)
page.set_rotation(rotation)
doc.save(path)
@@ -64,6 +70,22 @@ def main() -> int:
assert page.min() == 0 and page.max() == 255, (page.min(), page.max())
src.close()
# The corner mark sits top-left in an upright scan.
assert page[:60, :60].max() == 0 and page[:60, -60:].min() == 255
# A sideways scan comes back upright: the page's /Rotate applies to the
# image extracted by xref, which bypasses it. Okular gets this right and
# the slicer used to not.
sideways = tmp / "sideways.pdf"
_scan_pdf(sideways, pages=1, w=2332, h=1653, rotation=90)
src = open_source(sideways)
assert src.type is SourceType.RASTER
turned = page_raster(src, 0)
assert turned.shape == (2332, 1653), turned.shape
# Turned clockwise, so the mark that was top-left is now top-right.
assert turned[:60, -60:].max() == 0 and turned[:60, :60].min() == 255
src.close()
# An override must win over detection, and say so.
src = open_source(scan, SourceType.VECTOR)
assert src.type is SourceType.VECTOR and src.detected is SourceType.RASTER
@@ -71,7 +93,7 @@ def main() -> int:
assert page_raster(src, 0).shape[1] > 4000, "override must force a render"
src.close()
for f in (vec, scan):
for f in (vec, scan, sideways):
f.unlink()
tmp.rmdir()
print("ok")
+14
View File
@@ -19,6 +19,7 @@ from noteman_slicer.pdf import open_source, page_raster # noqa: E402
from noteman_slicer.project import Cut, Project, default_path # noqa: E402
from noteman_slicer.render import ( # noqa: E402
ALPHA_LEVELS,
_ink_bbox,
apply_levels,
encode,
pad_right,
@@ -87,6 +88,19 @@ def main() -> int:
assert rgba[:, :, 3].min() == 0, "paper must be fully transparent"
assert len(np.unique(rgba[:, :, 3])) <= ALPHA_LEVELS
# Trim keeps a line of lyrics and drops a fleck. Each letter is its own
# small blob, so judging blobs by area threw the whole line away and the
# bottom voice lost its words; a fleck's row carries almost no ink at all.
art = np.full((300, 800), 255, np.uint8)
art[100:150, 50:750] = 0 # a staff
for x in range(60, 700, 30): # lyrics: many small glyphs, one row
art[200:220, x : x + 14] = 0
art[5:9, 10:14] = 0 # a fleck in the far corner
x0, y0, x1, y1 = _ink_bbox(art)
assert (y0, y1) == (100, 220), f"lyrics kept, fleck dropped: {(y0, y1)}"
assert (x0, x1) == (50, 750), (x0, x1)
assert _ink_bbox(np.full((50, 50), 255, np.uint8)) is None, "blank slice has no box"
# Levels: a white point below the paper value wipes the paper out entirely.
faint = np.full((10, 10), 200, np.uint8)
assert apply_levels(faint, 0, 180).max() == 255