The panel now uses the same colours the page is drawn with, on dark
chrome so the scan is the brightest thing on screen. Levels move from two
anonymous sliders to the scan's own histogram with draggable black and
white points and a tone strip, since getting them wrong is the one
mistake that only shows up on the tablet. A page rail replaces the
stepper and carries each page's slice count; export is pinned below the
scroll instead of below the fold; marker types read as prose.
Three things a first session trips over.
The editor opened at an arbitrary zoom. show_page does fit the page, but
it runs before the window has been laid out, when the viewport is still
its default size; redo it once when the real size arrives.
The bundle was named after the PDF, which is whatever the download was
called. Take the song's title instead — unsafe characters dropped, then
whitespace collapsed to dashes. Accented letters stay, since ä and ö are
not a filesystem's problem, but a leading dot would hide the file.
And the selected slice was drawn as an outline whose top and bottom edges
run under the cut lines painted over them, leaving two thin verticals in
the margins and no way to tell what was selected. Wash the slice, as the
discard and engraved states already do, and keep the outline for the trim
anomalies it exists to show.
Opening an exported song starts a fresh session from detection instead
of resuming: cuts, discards and metadata do not carry over, so a re-cut
never inherits decisions that have already shipped. --resume overrides
it on edit, export and project.
This reverses what was agreed in planning and written into docs/spec.md
and CONTEXT.md, which promised resume-across-sessions and re-export.
Both are corrected. The cost is deliberate and worth stating: changing
the width cap or adding the SVG renderer later now means re-cutting each
song by hand rather than regenerating every bundle from its project
file.
Export records the flag in bundle.write, so no caller can forget it.
Also removed --refit and the Auto-fit buttons, which were added without
being asked for and whose only purpose - migrating projects made before
the content rectangle was proposed - disappears once exported projects
start fresh. Reset now restores detection's proposal rather than the
whole page: clearing to full width would undo the thing the rectangle
exists for, so one button covers it.
open_project() replaces four copies of load-or-detect across the CLI
and the editor.
QGraphicsView for the viewport, with cuts and the content rectangle
manipulated by hit-testing in the view rather than as movable items —
the geometry is normalised, so what the screen shows and what the
renderer uses are the same numbers at a different zoom.
Cuts are edited as polylines: double-click adds one, drag moves it,
Ctrl-click inserts a vertex, right-click deletes a vertex or the whole
cut. That is how a straight cut becomes the stepped cut Engel needs.
Slice boundaries are drawn, not just cut lines, so a trim anomaly is
visible before export rather than after. Discarded slices are shaded.
Pages preview at 1800px regardless of source resolution, cached per
page, because re-reading a 4959x7017 vector render on every slider move
is unusable.
Autosave is debounced at 800ms and also fires on close.
Closes#12Closes#14Closes#15Closes#16Closes#17Closes#18Closes#19Closes#20Closes#26
Esa Kataja